1980年代纽约ballroom culture / realness的意义在于融入成为他们straight & white counter part同时也作为一种resistance而存在 / House as a family / social oppression / ballroom里面的Queen在这个房间里收获了自己想要的肯定和fame但最终还是要面对更大的世界动画片百度影音还是想要做一个“正常人
苗斑:182.89.242.53
情节紧凑前后情节善恶转变事情往往不能看表面很惊讶里面居然有11岁的斯嘉丽
鲈鱼正美:139.208.137.153
bell hooks, ethnographic gaze, an outsider looking in, does not oppose the way hegemonic whiteness 'represents' blackness but rather assumes an imperial overseeing position that is in no way progressive or counterhegemonic. Judith Butler, camera itself is empowered as phallic instrument, the vehicle through which the transubstantiation occurs, an instrument and effect of lesbian desire, to enter into a logic of fetishization which installs the ambivalence of that 'performance as related to our own. 但说实话自己观影时没觉得这部的gaze有多problematic/patronizing动画片百度影音可能因为我本身就是一个凝视这个群体的外人